I stumbled into this practice when following a Tara Brach guided meditation. The instruction, distinct from other metta practices I’d done, was to bring forward the phrase “may I be held in Loving Presence”. Almost immediately I felt a sense of receiving love and compassion and of being held in a warm embrace. This feeling was accompanied by an image of my grandparents, Ah Ma and Ah Kong. I sensed that I was receiving this love from them, from this image, as a form of unconditional love. It was incredibly touching and nourishing — I felt deeply seen and known, cared for, and safe. By feeling into this image, I could receive in a different way, not solely coming from my own intention, but rather held in this whole field. Imaginal practice opens up the possibility of opening to these qualities in a deeply nourishing and healing way — allowing us to be held in Loving Presence. Here you will be invited to bring this phrase to mind and to allow any images that arise in response — people from your life like friends, family, partners; teachers of significant figures you have known; or mythical or iconic figures such as Quan Yin or the Buddha.
Image: wood carving of Kuan-yan (Guanyin) with Amitābha on its crown (c. 1025). Northern Song dynasty, China, Honolulu Museum of Arts.
Images are always at play in the way we feel our body and make sense of our experience. In meditation practice we can bring in different images as a way of cultivating different ways of looking — each image shifts our relation with experience, opening new ways of being. In this practice, you will sit like a mountain: imperturbable, solid, unmoving. Then you will open to whole body awareness, tuning in to the felt sense of the whole field of feeling. By being in relation with this field, you come to see it as insubstantial, shifting, and open — like patterns of light, or a lava lamp. Finally you can bring in the image of sitting as Buddha-nature — clear, pristine awareness expressed through your body.
The Elephant Path is an ancient meditation teaching, believed to be a transmission from the Buddha-to-be Maitreya and written out by Asanga in around 500 CE. It describes the Nine Stages of Calm Abiding — a map of how experience shifts as the mind deepens in meditation. In this meditation, we traverse all the stages, using the appropriate antidotes and techniques at each stage to progress to the next. Through this we move from scattered monkey mind all the way to effortlessly stable attention. By practising The Elephant Path, you learn how to navigate the mind and how to cultivate different states of mind. This makes the mind a nice place to be — not only from landing in calm and clarity, but also from the confidence of knowing how to move the mind appropriately to whatever is present at any given moment.
The practice of calm abiding culminates in effortlessly stable attention — you sit and focus, returning again and again, until it becomes automatic. There’s also a way to begin with effortlessness. Start by opening to effortless spacious awareness. Release the body and mind. Drop all effort, relax to the max, give up. Rest as the awareness that is already here and knowing. From that place of spacious ease, gently intend to care about the body. Through just the slightest intention, the body appears brightly and vividly in the foreground. Attention is stable without tension nor doing. Let go of everything and rest into the body.
The path of calm abiding leads to effortlessly stable attention with equanimity and tranquility. A key to this part of practice is first building up to complete staying and then, when the time is right, easing up in effort. This easing up is a releasing, softening, and relaxing in such a way that the practice starts to flow by itself. Because of all the work done to establish stable attention and bright metacognitive awareness, the mind can, with only the slightest intention, rest into the body. This occurs at stage seven of the elephant path. You will ease up gradually, bit-by-bit, noticing if distractions again interrupt your continuity. When this works, it feels like the less you do the more focused you become, that there is no difference between meditation and non-meditation, and that there is a profound background stillness.
I’m sitting on the beige, scratchy carpet in the spare room of my unit in Maylands, a quaint-yet-growing suburb of Boorloo (Perth). I’m trying to meditate and have a growing sense of failure. I gaze at the light slowly crawling across the carpet. Restless and bored, I get up and do something else. Maybe meditation just isn’t for me.
Much earlier, I’m sitting on another carpet. This time I’m young, maybe nine years old, and Dad has offered to teach me to meditate. I’m thrilled, it’s all so mysterious to me. What happens when Dad goes off and sits quietly in the evenings? It could be anything! We sit on the floor in the front room of the house with the lights dim. Dad guides me to notice the sensations of my breath. I picture it like I’m watching an animation: breath coming into my body like flowing coloured lines moving through my nose, filling my lungs, then releasing on the exhale to rejoin the atmosphere. I enjoy the feeling of being calm, but I get sleepy straight away. I also feel like I’m somehow doing it wrong — I’m picturing something but it feels like I’m making it up, using my highly active imagination instead of doing it “properly.” Is this what meditation is meant to be? In the ensuing years I only meditate when in bed as something to do while waiting for my mind to drift off. I don’t recall us sitting together again.
I’m in a chair gazing over a busy Sydney street on a cloudy weekday afternoon. The recent move has been challenging and I’m in the middle of a spell of depression and anxiety. I can’t seem to break out of feeling this way through my usual methods and I’m starting to feel desperate. I come across a book: “The Mindful Way Through Depression.” While it sounds like it’s just what I need, I’m short of spoons and can’t summon the energy to get further than the title. Instead I read a short article online, remember yoga teachers talking about mindfulness, and try to do a practice. I bring my mind to the present moment sensations. I watch myself from a more objective viewpoint. I see myself drinking tea, walking up the stairs, feeling sad, obsessing about a stressful event. I watch a thought arise and pass and suddenly feel a freedom and relief I haven’t felt in ages: I don’t need to be so caught up. But this is only fleeting, fading away mere moments later. After I stop practising I’m right back to rumination. I know that if I could continue this mindfulness it would help but have no idea how to make it stick. It feels like I opened a doorway to a vast beautiful view that closed again in the blink of an eye. I have no idea what the key is to get the door open again, or to keep it open.
In each of these scenes, I felt like I had started school without books, anything to write with, or language to communicate with others. Without a framework and map, I got lost at every turn.
//
Once I got my head above water from the period of depression, anxiety, and burnout, I had a moment of insight. I realised that I needed to find some way of working with the mind. It was suddenly clear that my mind was turning an objectively good life situation into something miserable. I felt like I was stuck playing a cursed game that I had invented; I was trapped in a prison of my own creation. Something in how I was relating to experiences wasn’t working. I knew I needed something that would help me learn from these experiences.
A friend happened to give me a copy of the book The Mind Illuminated and I began practising consistently. I moved up and down the stages of The Elephant Path. The guidance I received in that book, combined with a few chats with more experienced practitioners, brought the practice to life. As I sat, I felt more calm and clear. I learned how my mind could so easily shift into criticism and place blame on myself, or feel responsible for things I couldn’t control, such as a moment of distraction. I saw, moment-by-moment, how my mind constructed this prison.
One morning a few months later I’m sitting on a cushion, this time on parquet flooring. I observe the sensations of the body and the breath. I watch thoughts about my unfinished thesis chapter, what to cook for dinner, an idea for an artwork. There’s a gentle sense of calm and comfort. The bell goes off after 45 minutes and I open my eyes to a soft light angled in through the apartment window. I take a moment to appreciate the warmth of the rays in the cool air. I realise that I’m just…fine. It’s another day and my mind isn’t a bad place to be.
Over the months that followed, I knew that I’d never experience the same difficulty with anxiety and depression. Each day, each week, I noticed the patterns of the mind and saw how intention and attention shaped my world.
//
Looking back, it became clear that I was lucky to find a foundational practice that helped make meditation not only function, but also to feel good. The Buddha said that practice should be “good at the beginning, good in the middle, good at the end.” That on its own is a vast beautiful view and a doorway worth opening.
I’m delighted to go back to my roots and to bring this practice to life through a full-day of exploration on the 8th of March. Come join me : )
This practice uses the breath in the whole body as a technique to lead to completely staying with the meditation object. In the Stages of Samatha, the transition from Stage 5 to Stage 6 is accomplished through bringing more curiosity (intensifying) until there is an increase in sensory clarity. This then allows for *complete staying* with the meditation object, where there is exclusive attention that no longer scatters or alternates to distractions. Here we use the whole body as the meditation object and then notice the subtle level of sensation, then opening to noticing the breath through the whole body. This leads to a quality of engagement and interest where the body is seen as rich and complex, often becoming a cloud of sensation or waves of energy rather than something solid and fixed. Practising at this level cultivates more calm and clarity than is commonly though possible — the mind becomes both more at ease and brighter than in typical conscious experience.
Through meditation practice, we can make the body a comfortable place to be, relating to the body in such a way that the body feels like home, no matter where we are. Even when there is pain, discomfort, or tiredness, the body can be a place to rest and settle. This practice explores using whole body awareness as the meditation object. This whole body awareness includes all of the sensations of the body, as well as tuning into the overall texture or felt sense of the body space that can be rich, complex, murky, and have a more-than-words quality. Use whole body awareness as your practice of calm abiding, or use this as a support to insight, open awareness, or imaginal practice. By opening to the whole body and resting here, you can gradually cultivate a sense of settling, ease, and okness — deeply shifting the state of the body towards rest and nervous system regulation, while also shifting the relationship with the body such that whatever arises can be held in awareness with equanimity.
In this practice you will be invited to consider deep questions about your practice, what you love about the path, what it is you yearn for, and what the next step you can take is. This can be a welcome refresh of intentions or provide an antidote for when practice feels stuck or lacking inspiration. Importantly, these answers don’t need to be final and also don’t come from a place of thinking, but instead are felt as arising from deeper in the being. In this practice you are guided to do this through a gradual relaxing and focusing, coming into the body and tuning into the felt-sense of the whole body space. The self-guidance compass is the sense of trust and confidence that the practice is unfolding in the way it needs to, being cared for appropriately and leading you in the direction you would like to go.
Effort is a key aspect of meditation practice. Too much effort and the practice becomes tight and frustrating; too little effort and practice becomes slack and directionless. Progress, especially in calm abiding (śamatha) practice, is greatly aided by finding the right balance. In the Elephant Path, this is done through phases of intensifying, where more curiosity is brought in and the meditation object is engaged with more and more, then phases where the practice becomes about easing up until a balance is reached. This practice explores alternating between strong effort and ease, gradually settling into an eased up effort that is both calm and clear. The possibility of continued practice is effortless effort — where the mind stays with the meditation object just through the slightest intention and everything arises and ceases brightly and clearly, without any doing or paying attention whatsoever.
