The body is already image, in the sense that our mind is always creating the sense of the body, holding a way of looking at the body that renders it a certain way. In this practice we intentionally bring in different images to notice what happens in the body space. Sitting as a mountain, as empty space, as a vast sky, or wrapped head to toe in fine cloth — each of these does something to the felt sense of the body, shifts or alters it in some way, even just subtly. Then we open to letting an image form, becoming receptive to whatever might appear in the mind, trusting the image as having meaning. This all points to the insight that images are always occurring and that the way we relate to the body and to image is always intertwined.
Tag: relaxation
Calm Abiding with Curiosity and Openness
This practice plays in the space between samatha and imaginal practice. The unifying quality here is curiosity. This allows calm abiding practice to develop by making the meditation object more interesting and therefore easier to stay with. Curiosity also is key for opening to the imaginal and welcoming in imaginal senses and figures. Through first stabilising in the body and calming the mind, we can then release into a sense of trust, dropping into other depths of experience. Openness then becomes a key to reveal emptiness — that things are not as solid as they might initially seem, but instead are open to interpretation and ways of being perceived.
Figures of Loving Presence
I stumbled into this practice when following a Tara Brach guided meditation. The instruction, distinct from other metta practices I’d done, was to bring forward the phrase “may I be held in Loving Presence”. Almost immediately I felt a sense of receiving love and compassion and of being held in a warm embrace. This feeling was accompanied by an image of my grandparents, Ah Ma and Ah Kong. I sensed that I was receiving this love from them, from this image, as a form of unconditional love. It was incredibly touching and nourishing — I felt deeply seen and known, cared for, and safe. By feeling into this image, I could receive in a different way, not solely coming from my own intention, but rather held in this whole field. Imaginal practice opens up the possibility of opening to these qualities in a deeply nourishing and healing way — allowing us to be held in Loving Presence. Here you will be invited to bring this phrase to mind and to allow any images that arise in response — people from your life like friends, family, partners; teachers of significant figures you have known; or mythical or iconic figures such as Quan Yin or the Buddha.
Image: wood carving of Kuan-yan (Guanyin) with Amitābha on its crown (c. 1025). Northern Song dynasty, China, Honolulu Museum of Arts.
Credit: By Haa900 – Own work, Public Domain, https://commons.wikimedia.org/w/index.php?curid=7146040
Opening the Imaginal Felt Sense of the Body
Images are always at play in the way we feel our body and make sense of our experience. In meditation practice we can bring in different images as a way of cultivating different ways of looking — each image shifts our relation with experience, opening new ways of being. In this practice, you will sit like a mountain: imperturbable, solid, unmoving. Then you will open to whole body awareness, tuning in to the felt sense of the whole field of feeling. By being in relation with this field, you come to see it as insubstantial, shifting, and open — like patterns of light, or a lava lamp. Finally you can bring in the image of sitting as Buddha-nature — clear, pristine awareness expressed through your body.
The Nine Stages of Calm Abiding
The Elephant Path is an ancient meditation teaching, believed to be a transmission from the Buddha-to-be Maitreya and written out by Asanga in around 500 CE. It describes the Nine Stages of Calm Abiding — a map of how experience shifts as the mind deepens in meditation. In this meditation, we traverse all the stages, using the appropriate antidotes and techniques at each stage to progress to the next. Through this we move from scattered monkey mind all the way to effortlessly stable attention. By practising The Elephant Path, you learn how to navigate the mind and how to cultivate different states of mind. This makes the mind a nice place to be — not only from landing in calm and clarity, but also from the confidence of knowing how to move the mind appropriately to whatever is present at any given moment.
Spaciousness with Stability
The practice of calm abiding culminates in effortlessly stable attention — you sit and focus, returning again and again, until it becomes automatic. There’s also a way to begin with effortlessness. Start by opening to effortless spacious awareness. Release the body and mind. Drop all effort, relax to the max, give up. Rest as the awareness that is already here and knowing. From that place of spacious ease, gently intend to care about the body. Through just the slightest intention, the body appears brightly and vividly in the foreground. Attention is stable without tension nor doing. Let go of everything and rest into the body.
Easing Into Effortless Calm Abiding
The path of calm abiding leads to effortlessly stable attention with equanimity and tranquility. A key to this part of practice is first building up to complete staying and then, when the time is right, easing up in effort. This easing up is a releasing, softening, and relaxing in such a way that the practice starts to flow by itself. Because of all the work done to establish stable attention and bright metacognitive awareness, the mind can, with only the slightest intention, rest into the body. This occurs at stage seven of the elephant path. You will ease up gradually, bit-by-bit, noticing if distractions again interrupt your continuity. When this works, it feels like the less you do the more focused you become, that there is no difference between meditation and non-meditation, and that there is a profound background stillness.
Finding a Path Forward
I’m sitting on the beige, scratchy carpet in the spare room of my unit in Maylands, a quaint-yet-growing suburb of Boorloo (Perth). I’m trying to meditate and have a growing sense of failure. I gaze at the light slowly crawling across the carpet. Restless and bored, I get up and do something else. Maybe meditation just isn’t for me.
Much earlier, I’m sitting on another carpet. This time I’m young, maybe nine years old, and Dad has offered to teach me to meditate. I’m thrilled, it’s all so mysterious to me. What happens when Dad goes off and sits quietly in the evenings? It could be anything! We sit on the floor in the front room of the house with the lights dim. Dad guides me to notice the sensations of my breath. I picture it like I’m watching an animation: breath coming into my body like flowing coloured lines moving through my nose, filling my lungs, then releasing on the exhale to rejoin the atmosphere. I enjoy the feeling of being calm, but I get sleepy straight away. I also feel like I’m somehow doing it wrong — I’m picturing something but it feels like I’m making it up, using my highly active imagination instead of doing it “properly.” Is this what meditation is meant to be? In the ensuing years I only meditate when in bed as something to do while waiting for my mind to drift off. I don’t recall us sitting together again.
I’m in a chair gazing over a busy Sydney street on a cloudy weekday afternoon. The recent move has been challenging and I’m in the middle of a spell of depression and anxiety. I can’t seem to break out of feeling this way through my usual methods and I’m starting to feel desperate. I come across a book: “The Mindful Way Through Depression.” While it sounds like it’s just what I need, I’m short of spoons and can’t summon the energy to get further than the title. Instead I read a short article online, remember yoga teachers talking about mindfulness, and try to do a practice. I bring my mind to the present moment sensations. I watch myself from a more objective viewpoint. I see myself drinking tea, walking up the stairs, feeling sad, obsessing about a stressful event. I watch a thought arise and pass and suddenly feel a freedom and relief I haven’t felt in ages: I don’t need to be so caught up. But this is only fleeting, fading away mere moments later. After I stop practising I’m right back to rumination. I know that if I could continue this mindfulness it would help but have no idea how to make it stick. It feels like I opened a doorway to a vast beautiful view that closed again in the blink of an eye. I have no idea what the key is to get the door open again, or to keep it open.
In each of these scenes, I felt like I had started school without books, anything to write with, or language to communicate with others. Without a framework and map, I got lost at every turn.
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Once I got my head above water from the period of depression, anxiety, and burnout, I had a moment of insight. I realised that I needed to find some way of working with the mind. It was suddenly clear that my mind was turning an objectively good life situation into something miserable. I felt like I was stuck playing a cursed game that I had invented; I was trapped in a prison of my own creation. Something in how I was relating to experiences wasn’t working. I knew I needed something that would help me learn from these experiences.
A friend happened to give me a copy of the book The Mind Illuminated and I began practising consistently. I moved up and down the stages of The Elephant Path. The guidance I received in that book, combined with a few chats with more experienced practitioners, brought the practice to life. As I sat, I felt more calm and clear. I learned how my mind could so easily shift into criticism and place blame on myself, or feel responsible for things I couldn’t control, such as a moment of distraction. I saw, moment-by-moment, how my mind constructed this prison.
One morning a few months later I’m sitting on a cushion, this time on parquet flooring. I observe the sensations of the body and the breath. I watch thoughts about my unfinished thesis chapter, what to cook for dinner, an idea for an artwork. There’s a gentle sense of calm and comfort. The bell goes off after 45 minutes and I open my eyes to a soft light angled in through the apartment window. I take a moment to appreciate the warmth of the rays in the cool air. I realise that I’m just…fine. It’s another day and my mind isn’t a bad place to be.
Over the months that followed, I knew that I’d never experience the same difficulty with anxiety and depression. Each day, each week, I noticed the patterns of the mind and saw how intention and attention shaped my world.
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Looking back, it became clear that I was lucky to find a foundational practice that helped make meditation not only function, but also to feel good. The Buddha said that practice should be “good at the beginning, good in the middle, good at the end.” That on its own is a vast beautiful view and a doorway worth opening.
I’m delighted to go back to my roots and to bring this practice to life through a full-day of exploration on the 8th of March. Come join me : )
With mettā,
Kynan
Calm Abiding with Whole Body Breathing
This practice uses the breath in the whole body as a technique to lead to completely staying with the meditation object. In the Stages of Samatha, the transition from Stage 5 to Stage 6 is accomplished through bringing more curiosity (intensifying) until there is an increase in sensory clarity. This then allows for *complete staying* with the meditation object, where there is exclusive attention that no longer scatters or alternates to distractions. Here we use the whole body as the meditation object and then notice the subtle level of sensation, then opening to noticing the breath through the whole body. This leads to a quality of engagement and interest where the body is seen as rich and complex, often becoming a cloud of sensation or waves of energy rather than something solid and fixed. Practising at this level cultivates more calm and clarity than is commonly though possible — the mind becomes both more at ease and brighter than in typical conscious experience.
At Home in the Whole Body (Meditation and Talk)
Guided meditation 30 minutes, talk 4 minutes.
Through meditation practice, we can make the body a comfortable place to be, relating to the body in such a way that the body feels like home, no matter where we are. Even when there is pain, discomfort, or tiredness, the body can be a place to rest and settle. This practice explores using whole body awareness as the meditation object. This whole body awareness includes all of the sensations of the body, as well as tuning into the overall texture or felt sense of the body space that can be rich, complex, murky, and have a more-than-words quality. Use whole body awareness as your practice of calm abiding, or use this as a support to insight, open awareness, or imaginal practice. By opening to the whole body and resting here, you can gradually cultivate a sense of settling, ease, and okness — deeply shifting the state of the body towards rest and nervous system regulation, while also shifting the relationship with the body such that whatever arises can be held in awareness with equanimity.