Open, Soften, Allow

Something has bothered you and the thought will not stop turning. The body is tight, the shoulders drawn in, the world narrowed to the size of the problem. On another day you are out walking and everything is roomy and unhurried. The difference is the grip.

Clinging, craving, aversion, grasping — different words for one movement: taking hold of experience and trying to keep it fixed. It is felt in the body. Which is useful, because what is felt in the body can be released there.

Settle, then let awareness fill the whole body, part by part, until the whole space is bright. Tune into the felt sense of it — the overall tone, like dialling in an analogue radio. Notice the clear sensations, and what is vague and murky. Whatever you find is fine.

Now look for the holding. A contraction somewhere. A pull for this to be other than it is. It is in thought too — the mind solving, fixing, reaching towards something later. Find it. Stay with it a moment.

Open, soften, allow.

Take resistance the same way: soften around the sleepiness, the agitation, the doubt. Let it be here. Take the pleasant that way too. Released from the grip, what is pleasant tends to open further; what is unpleasant tends to dissipate.

Then feel the whole body again. Tight, or roomy. Solid, or moving.

You do not let go. You stop holding on.

Drawn from Rob Burbea’s teaching on ways of looking.

The Self-sense Spectrum

A sound wakes you in the night. Nothing much has happened, and within a minute the body is tight and the mind is looping — what was that, who caused it, why this, why me. Hours later you are walking in the sun and everything is fine. The body is open. There is nothing to cling to. Same person, same day.

Place a number between zero and ten on what is being felt. Zero: the self-sense faint, thin, perhaps completely gone. Ten: contracted, fixated, everything is about you. Most of the time you are drifting somewhere in the middle without noticing.

Sensation first: what you can hear, see, feel. Then feeling — not the story of the emotion, just its energy in the body. Then thought: distinct images and inner sounds, or a stream bubbling away.

Then ask: what is my self-sense right now?

It’s a strange question. It doesn’t land the first time.

Now watch how the mind binds it all together. A sound, an agitation, a thought about who did this — glued into a solid, fixed, “you”. When the gluing runs unwatched, the contraction is strongest. See it clearly, and relax.

Suppose a magician were to hold a magic show at the four crossroads, and a keen-sighted person were to see it, reflect on it, and examine it radically. Even as they see it, they would find it empty; they would find it hollow; they would find it void of essence.

— Pheṇapiṇḍūpama Sutta, SN 22.95

Examine the self-sense that closely and release clinging. Not gone — vividly appearing, but without the solidity it seemed to have. Rest as what knows this.

This Fleeting World

Thus should you think of all this fleeting world:

Like a drop of dew, or like a star at dawn;

A bubble in a stream, a flash of lightning

In a summer cloud,

A flickering lamp, a phantom, and a dream…

See through the lens of change. Sounds arise out of silence and disappear back into it, and even the constant ones waver. Bring the body forward: look at the edge of a sensation that feels solid, and find the flicker there. You never take the same breath twice. Then thoughts — each with a beginning and an end, or one stream, flowing, never the same for long.

The mind gives solidity to what has none. Look this way for a while and notice what loosens. There is often relief in it: nothing here to hold.

Then open your eyes, and notice what lens you are looking through now.

Vajrachedikā (Diamond) Sūtra, translated by Rob Burbea

Peering Through the Lens of Perception

When your experience of life deviates from life as it objectively is, the lens is revealed. Between the world as it is and the world as you meet it, there is a way of looking. It involves everything: from how you have slept to your beliefs and emotions. Like squeaky-clean glass, you look straight through without noticing it.

Sense what is here now. A warmth, a tension, a sound, a passing thought. With each, notice its tone: is this pleasant, or unpleasant? Stay for the small movement that follows — the mind leaning in toward what it likes, drawing back from what it doesn’t, quietly sorting the world into good and bad.

That leaning is the lens. When you catch it, relax. Let the pleasant be pleasant without chasing it, the unpleasant be unpleasant without turning away. If resistance comes, let the resistance be here too. Then take one step back toward the thing itself, before the mind decides what to make of it. Even here, the lens is shaping what appears.

Steadying the Lens

Find one steady thing. Your seat, the uprightness of the body, or an object across the room. Notice the solidity already present. Rest your attention there. Borrow its steadiness, and let it spread.

Thoughts will come, wanting to be solved, wanting to carry you off. You don’t have to feed them. Each time you notice, that noticing is a fork in the road — be glad you caught it, and choose to come back to what is steady. It doesn’t matter how many times.

This is a way of looking: not something you force, but a stance you take, and then wait. Give the body, the heart, the mind their time. Peace of mind is only a short way off, on the other side of habit. Get out of your own way and the system settles on its own. The steadiness was always its birthright.

A Box of Darkness

(In my sleep I dreamed this poem)

Someone I loved once gave me
a box full of darkness.

It took me years to understand
that this, too, was a gift.

— Mary Oliver

We learn early to feel the good emotions and put the rest away, so that we are easy to be around. Fear, anger, sadness — set aside, the lid held down.

Here we lift the lid. From a ground of stillness — the weight of the body, the breath, somewhere in you that feels stable — we turn towards a feeling we would rather not feel. Not somewhere safe, exactly. Somewhere brave enough to feel it.

Evoke a scene. Recall a memory. Let the feeling come, and let it be here — not pushed away, not acted out, but received as a signal, something deep in you speaking for a reason not yet clear.

Then look closely. Where does it live in the body — warmth, pressure, weight? Notice it is already changing. Search for the anger, the sadness, the fear itself, and find only sensation, shifting. Search for the one who feels it, and find no one there.

Only space remains, and energy moving through it.

The box, opened, was always a gift.

Light Dancing on a Pond

Happiness, love, delight. Don’t hold back — let one of them in. Recall the feeling in the body and give yourself permission to feel it fully.

Bring a scene to mind, remembered or imagined — the delight of slowly making coffee, the easy company of a friend — and let it carry the feeling forward. Take a deeper breath. Can I be with this?

Now look closely. Start with the sensations — where there’s warmth, lightness, an upwelling of energy — and notice they won’t hold still. They are already shifting, patterns of light dancing on water. Give the feeling its name, happiness or contentment, then search for the thing the name belongs to. You can feel it moving through you, but you can’t land on anything solid. Look for the one who feels it. Only more shifting sensation, a sense of density that also can’t quite be found.

What remains is simply presence — a knowing beneath the feeling. Here you can rest. The feeling doesn’t need anything from you but to be known. Let it move through, like light dancing on the surface of a pond.

The Way In

A family holiday, and the thing I didn’t want to feel

I’m on holiday, staying with my family. I realise that I’m drifting in all the activity. I chat with others, go to the beach, eat food, play Settlers of Catan. Occasionally I’ll get stuck on my phone, but overall it’s pretty wholesome stuff. In the midst of all this I sense that I’m losing something of myself. I’m gradually disconnecting from my feelings. I’m sliding into going through the motions. I haven’t had much time alone, not to mention sitting quietly. On the one hand it feels like time by myself isn’t what’s needed right now, that sitting silently would be going against what I came here to do. On the other hand I’m starting to feel an itch not scratched, a vague and shadowy undercurrent of feeling beneath all of this that isn’t allowed to surface.a

I’m sitting on the couch as we watch a movie. It begins in comfort with cosiness and snacks. Then I get a little restless and fidgety. I sink into the couch, unable to move. It’s like I’ve turned into a log, dead inside. I’ve gone past boredom into zoned out; I stare at the screen like a zombie. When that becomes too much, I pull out my phone and stare at a smaller screen. All the while I’m drifting further into a mire. Eventually there’s a sinking feeling deep in my body, like a void or black hole, the sense of something being really wrong but I don’t know what. It’s a sense of missing something. A wave of tiredness pulls me out of this, and I get up from the couch, only to get stuck scrolling in bed.


All of these are pretty standard ways to be busy and to not pause and feel. There’s a move here of turning away from feeling and immersing in doing. Even when sitting on the couch there’s a lot of doing happening — choosing to direct attention to the external: the TV, scrolling on the phone. It’s a fairly mild form of the second arrow. However, in these mundane actions is something more profound, hiding in plain sight.

The move away from feeling is trying to get away from something. This is why sitting still is so hard for so many people — sitting and being with themselves leaves little room for escape. Being human sometimes requires feeling things that are unpleasant and even painful. The natural tendency is to turn away from this — moving towards what is more pleasant, getting rid of the unpleasant experience, or zoning out.

There’s a tendency to take a feeling as saying something final about who we are. Not just that I am experiencing a feeling of sadness, but that I’m a sad person. I’m not just feeling a sense of hopelessness — I am hopeless. I am broken, incapable, unlovable. From this perspective it makes sense that this is unbearable, and that moving away from the experience seems like the only option. It seems to say something about who we ultimately are. The second arrow is a reaction to feeling like the first arrow means something permanent and solid about us. The feeling becomes a life sentence.

Yet feeling something is not the same as being it. The feeling is the weather, not the sky. The clouds move, rain comes and goes, the sun shines and then doesn’t. All the while the sky remains.


I take a pause in the guest bedroom, creating a makeshift meditation cushion from a stack of pillows on the fold-out bed. I stop doing and sit still. I notice the urges to check my phone and to go out and see what other people are up to. I set the intention to be with this, just as it is. There are waves of restlessness and stress. I yawn and feel my shoulders release as the tension begins melting.

I discover a thread of feeling that bubbles up. It’s indistinct, murky, amorphous. I explore it, like a deep-sea diver sinking down past the well-lit shallows. I navigate a layer of distraction, then agitated worry. I steady my breath and stay with it. I follow a glimmer of sadness to a feeling that lives deep inside my chest. There’s a sense here of something being wrong, of just not being okay. It’s a yucky, grating experience, like a bodily feeling of nails on a chalkboard. I acknowledge the part of me that is bracing against this, and open to what is here as fully as I can. If I can feel it, then it cannot be me. I let go into it, each moment of surrender a little death. I allow the feeling, and it unfolds itself. The resistance gives way. The feeling empties out; my being is hollowed out. The feeling shifts — fading, then disappearing completely.

I breathe a deep sigh and notice that my sense of being feels different. There’s an awareness that is present and clear. I open my eyes to the space and feel ease with everything around me. The space, the objects I see, the activities we have planned, the feeling in the body — all a coherent field. I get up with a sense of trust and okayness. I surface once again, having let myself go through the feeling to find that I was still whole.


Feeling is both what we are scared of and the opening to a different sense of being. Feeling calls us to inhabit the depths, to feel all of it, then to return to the surface. Then it becomes possible to rest in this sense of being. After all, you don’t have to do anything to be what you already are. The feeling I couldn’t bear wasn’t something to be removed or replaced — feeling itself was the way in to presence.


This Sunday I’m leading an online workshop, Liberating Feeling, on exactly this — turning towards what we’d rather not feel, together, in a space made for it. Come explore with me if it calls to you.

A Grain of Salt in the Ganges

The Buddha asked his monks: What happens when you drop a spoonful of salt into a glass of water? It turns undrinkable. How about the same spoonful into the Ganges? You can’t taste the salt at all.

This is something awareness can do. Open it wide enough and there is room for anything: the leftover charge of the day, an emotion you’d rather not feel, a discomfort you’ve been carrying since this morning. Nothing has to be solved. Held in a space this big, the feeling diffuses and shifts on its own. Awareness itself does the holding, with warmth and tenderness.

Begin with sound. Listen for the most distant noise, then notice the field that holds it — open, roomy, extending in every direction. Let the body appear inside that field. Then gently let whatever you are feeling come forward to be met.

Stay with it, and the feeling loosens. Where you thought there was a solid thing — sadness, or fear — you find movement, a shifting texture. Look for the one who is feeling it, and that too can’t quite be found.

What’s left is spacious knowing. Let the feeling move through it like a ripple through water.

Attuning to Activation

It’s late, you’re winding down, and a notification arrives on your phone. Nothing serious. But there’s a flicker of irritation, a small charge moving through the body against the quiet you were just resting in.

The nervous system is always moving like this — across a spectrum of activation and rest, energy and ease. All of it is good. The charge that sets a boundary, the rest that restores, even the freeze that was once trying to keep you safe: each has its place, just as every part of the mind does. When nothing blocks the way, the system regulates itself. It rises into activation and on its own it settles again.

In this practice we bring a little activation in on purpose, in order to watch it shift and settle. Swing the arms for a minute, then stop. Feel the warmth, the quickened heart, the breath. Notice what happens as you pause and get out of the way.

Then bring something to mind — something small and irritating, an email you didn’t want, whatever brought a bit of feeling. Hold it in whole body awareness and tune into how it feels for you. Stay with the heart, the breath, the charge, with no need to change a thing.

Stay with it, and it moves on its own.